Morphing, Again

You know how sometimes you sort of come to the realization that somehow you’ve changed; somehow. It just sort of happens gradually, sneaking up on you, like getting older, gradually, maybe you don’t even know its happening.

Then there are those times that something happens and you are changed more suddenly, like when you’re first married, or your first child is born, or you have your chest sawed open to fix an issue or two.

Last week we went on a roadtrip through the south: Arkansas, Tennessee, Mississippi, Alabama, and Georgia. On our trip we toured the Civil Rights Institue and museum in Birmingham. We visited the Carter Center in Atlanta, a museum and the presidential library of President Jimmy Carter. Then we toured the National Infantry Museum at Fort Benning, Georgia, with our son/soldier.

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“When I consider the small space I occupy, which I see swallowed up in the infinite immensity of spaces of which I know nothing and which know nothing of me, I take fright and am amazed to see myself here rather than there: there is no reason for me to be here rather than there, now rather than then. Who put me here?”  —Pascal, Pensees, 68


Each of these museums marked seminal moments of my coming of age. With roots in the south and being from Tulsa, Oklahoma, I grew up seeing the ugliness of racism. One of my first jobs was driving a school bus for the Tulsa Public Schools during the integration of schools. My route included picking up black children in north Tulsa before daybreak and driving them miles and miles south to the “white” schools. I hated the unfairness of it but had no better solution to offer.

I really believe Jimmy Carter meant well. I believe he had integrity and compassion. You can still see it in the way he lives his life to this day. I applaud his fairly recent commentary condemning the narrow, blind, dogmatic view of women in much of the Southern Baptist Convention.

The Infantry Museum was sublime. It was breathtaking—not necessarily in the sense of seeing something awe-inspiring, like Multnomah Falls or the Grand Canyon; more like breath-taking when you have the air knocked out of you. The message is overwhelming: the cost of war in terms of young lives is too high. The price of freedom is incomprehensible.

We saw pictures and artifacts from all the wars like World War II in which my father served; the war of my generation, the Vietnam War, a war in which my only involvement was to protest it. And now standing with my son in his army uniform, trained and willing to serve in whatever hellish movement is bubbling up now.

I am so proud of him and so grateful for his service and the service of those who have gone before and those who will take the oath next. I am also afraid.

I wish you could have been with us when he and those of his company said the Soldier’s Creed in unison at the tops of their voices:

I am an American Soldier.
I am a Warrior and a member of a team.
I serve the people of the United States and live the Army Values.
I WILL ALWAYS PLACE THE MISSION FIRST.
I WILL NEVER ACCEPT DEFEAT.
I WILL NEVER QUIT.
I WILL NEVER LEAVE A FALLEN COMRADE.
I am disciplined, physically and mentally tough, trained and proficient in my warrior tasks and drills.
I always maintain my arms, my equipment, and myself.
I am an expert and I am a professional.
I stand ready to deploy, engage, and destroy the enemies of the United States of America in close combat.
I am a guardian of freedom and the American way of life.
I am an American Soldier.

All of this has changed me somehow. This Memorial Day is different than any I’ve lived before. It is more than a day off work and an excuse to throw some burgers on the grill.

Maybe I’m still “coming of age.” Maybe there’s hope for me yet.


The Long & Winding Road

THERE ARE THESE MARKERS ALONG THE HIGHWAY OF LIFE, YOU KNOW?

  • First Kiss Ahead
  • First Camping Trip—Next Exit
  • Approaching First Trip To The Principal’s Office
  • Spanish Club Hay Ride—Whoa, Pardner! You Missed Your Chance!

Back in that First-Coming-Of-Age, these metaphorical signs held such promise and excitement, fraught with adventure. Sort of like the real roadside signs on those early family vacations:

  • Real Indian Mocassins
  • Live Rattlesnakes
  • Fudge
  • Velvet Paintings
  • Fireworks!

Now in this Second-Coming-Of-Age, the signs are more ominous:

  • Last Exit
  • Bridge Out—Turn Back Now
  • Last Chance

If I were going to write a country song right now it might go something like this:

All the Stuckey’s are now Cracker Barrels
Cause all we need are grits and a rocking chair
Sitting and rocking, contemplatin’ life’s perils
No more Pecan Rolls and it don’t seem fair.
La la la, my dog and pick up truck, la la la
My ol’ lady tellin’ me to shut up.

Something else I’ve noticed about the highway these days, it seems like whatever this vehicle I’m in is, it's going faster and faster, and I’m not the one driving. Maybe I never was.

This is all David Lettermen’s fault. We have grown up together, he and I. His deadpan, self-deprecating sense of humor is to my taste. I love those comedians like Letterman: Seinfeld, Mitch Hedberg, and George Carlin who do life-observation comedy.

Letterman is a great interviewer, somehow managing to stay fresh after 30 some years at this gig. Sure he has his flaws, but he has never flaunted his celebrity.

I will say emphatically that his dealing with heart bypass surgery was inspiration to me. I drew courage and determination from him.

Watching his last few shows before signing off is bittersweet. On the one hand, these shows are featuring some of the best comic minds of our time, people like: Steve Martin, Jerry Seinfeld, Martin Short, Tina Fey; night after night.

And then there are the musicians: The Avett Brothers WITH BRANDI CARLILE! OMG (as the kids say). Mumford and Sons. And the performance of Simon & Garfunkel’s “America” by First Aid Kit was amazing.

But, on the other hand, May 20, 2015, David Letterman will take the Last Exit as host of the Late Show. And once again the landscape changes and races by. It is less familiar to me now; like  a road I’ve never traveled.

After The Dance

SO, WE WENT TO OUR FIRST DANCE RECITAL. Unfamiliar with the protocol, we arrived very early as we had been advised. Soon the parking lot begin to fill with vehicles carrying little dancers, each with their entourage, some carrying costumes and bags, some running along behind their little Shirley Temples, spraying hair spray, glitter and something that gave the little girls a sort of orange tint. There were bored-looking brothers, dads with iPhones, grandparents with Kodaks, and others bearing enough flowers to make every florist in town profitable even before Mother’s Day.

Soon our tiny dancer arrived. My first thought: “How could this be? How could she be growing up so fast? We’ll turn around soon and she’ll be on the arm of some creepy boy on her way to the prom.”

As we walked into the performing arts center, I was surprised to find plenty of seats available. But quickly we discovered that evey seat in the joint was SAVED. And their saved status was guarded by some aunt or someone, with bedazzled jeans, at least one visible tattoo or two, and a too-tight t-shirt that said, “Don’t Mess With The B!” So I didn’t.

Soon the house lights dimmed. The first group was herded on stage to “Wild Thing” by The Troggs, a song I used to play as the drummer in a little rock band at teen dances back in the 60s. I will admit they were too cute not to be entertaining, althought they apparently abandoned every move they had been taught, opting for an improvisational style.

It will come as no surprise when I tell you that once my Grand-Girl’s group FINALLY tapped onto the stage, the lights got a little brighter, a hush fell over the crowd, and she danced and danced and danced. And if I had had once of those bouquets, I would have thrown it onto the stage, although apparently you only do that at figure skating recitals.

If you know me well, you know I pretty much have a C.S. Lewis quote for every occasion. This one is no different.

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“As long as you notice and have to count the steps, you are not yet dancing, but only learning to dance.” —C.S. Lewis

At first each little dancer was aware of the crowd, and some were frozen, as in standing stone-still, not "Frozen" like that movie that all of these little princesses are so obsessed with.
Some were carefully watching their teachers who were doing the moves to the dance just offstage in the wings.

But there were times when most of them, almost losing themselves in the moment and confident of their learned lessons, just danced.

Not that I have to make a moral of this story, but isn’t life fun when we just quit counting the steps and dance? Saturday I did a lot of dancing. Not the kind that anyone could see. But I did the inner dance of a very, very proud Pops.

Thank you Karlee, for teaching your old Pops to dance.

Going To A DANCE

Sometimes people ask (well, someone did; once), “What does the name of your blog mean, ‘About Pops’”?

It sort of has to do with a stage of life, what I call the second-coming-of-age and all that comes with it, stuff like: looming retirement, senior adulthood, your body committing mutiny. But, then there is the glorius side of it all, being a grandfather, or as I’m known to my Grand-Girls, “Pops”.

This Saturday morning is a very exciting for a Pops like me. I’m going to my first dance recital. While I am excited, I’m also a bit anxious. You see I grew up in the Southern Baptist tradition where evangelist warned that Jesus would almost certainly return during a dance at Teen Town. “Is that where you want to be when The King Comes!?” And in my 13 year-old brain I’m thinking “As opposed to…?” (More than likely I’m thinking how does he get his hair to stay all puffed up in that big hairdo?”)

Looking back, I think I wouldn’t have minded at all if Jesus had come back during a school dance. I think he would have enjoyed it. In fact, I think even the full-time evangelist would have had a good time if he could have chiseled through all the pomade keeping his pompadour in place and let his hair down.

Today’s recital stars our oldest Grand-Girl, Karlee. I think maybe there will be other little dancers there too.

Thats Karlee, on the left. Today she will be the star!

Thats Karlee, on the left. Today she will be the star!

If you have a problem with me unbashedly bragging on her, in the words of Steve Martin: “Well, exxxxuuuussssee me!!!”

You see this tiny dancer is the one who made me POPS. She has patiently turned me in to a dewy-eyed, sentimental, very proud, old man.

I am so grateful that she can dance without shame. That she can know the joy, the freedom, the beauty of being a little artist. 

I could go on and on and on, but I have a dance to go to. And, if Jesus were to be ready, I think he would really enjoy this, because the children will be dancing.