THIS IS THE 50th ANNIVERSARY of the release of The Beatles’ Sergeant Pepper’s Lonely Hearts Club, the album that made a huge mark on the music and recording industries and provided a sound track of sorts for my first coming-of-age.
Months ago, I read a book by Mary Karr called The Art of the Memoir. While reading, I took her challenge to give it a try—writing a memoir, not for publication or anything like that, in fact, not even for anyone ever to read, but as an exercise in remembering stories. Mary Karr warns in her book that it is not an easy thing to do and in fact can be dangerous.
Still, I highly recommend you give it a try. Maybe go back in your life, grab an experience and write a few paragraphs. It is eye-opening, soul-searching, and scary.
She also warns that remembering and writing it all down can be hurtful to yourself and others and that being honest is hard to do. She’s right. I do want to be honest in my recollection of the past, but my memories are hazy and sketchy. I’ve apparently edited those memories over the years.
As I started on the challenge I knew I didn’t want to write my whole life’s story so I chose to focus on three summers, the first, 1967. Because, in the past few days, my mind has been drawn back to that time with of all the news of the Sgt. Pepper anniversary and re-release of the album, and these lyrics running through my head:
Picture yourself in a boat on a river
With tangerine trees and marmalade skies
Somebody calls you, you answer quite slowly
A girl with kaleidoscope eyes
I’ve decided to share just a snippet of the memoir project here.
THREE SUMMERS; THREE FALLS
To every thing there is a season, and a time to every purpose under the heaven, —Ecclesiastes 3:1
To everything (turn, turn, turn)
There is a season (turn, turn, turn)
And a time to every purpose, under heaven
—from the lyrics of Turn! Turn! Turn! by The Byrds
The First: The Summer of 1967
Coming of age in the 1960s, fascinated by the Hippie lifestyle (or my perception of it), raised in the home of a Southern Baptist preacher, the horizon loomed large, and I didn't realize it.
On January 8, 1967, Elvis turned 32 and I turned 16. Although we shared a birthday, I was never drawn to his music to the point that I would have bought one of his albums. My music budget demanded careful curating of my vinyl library. Early in the Summer of 67, Sergeant Pepper's Lonely Hearts Club was released. I was smitten and ready for stardom on the rock and roll stage. Ringo Starr and I both played Ludwig drums, all I needed now was long hair, despite the edict of The Beatles that "All You Need Is Love". The first fall was into adolescent angst, triggered in part by things like the battle over hair.
The summers of youth make for a good season for ad lib in the sense that they tend to be more unfocused. The rhythm of the school routine pauses, along with a requisite amount of self-discipline. Summers as a teen felt natural to me. I didn't have to ease in. I was ready for the freeform of it all on the first day of the break.
The summer of ’67 though, had a cadence to it; figuratively and literally. I was playing drums in a band that was headed for the World's Fair, "Expo '67", in Montreal, Quebec, Canada. So the days between the end of school and boarding the tour bus, were spent in long rehersals.
I had no idea that “Expo ’67” was such a big deal until we arrived there. I had no idea how big the world outside of Tulsa, Oklahoma really was. I had no idea how much I would be changed after that summer baptism of worldliness.
(to be continued)
So there it is. Probably the only part of the memoir exercise that I will ever share with anyone.
Let’s close with Ringo singing…
What would you think if I sang out of tune
Would you stand up and walk out on me
Lend me your ears and I'll sing you a song
And I'll try not to sing out of key
Oh I get by with a little help from my friends