At the Heart of Town

WHAT IS THERE ABOUT THOSE ROADS that meander through the countryside in and out of small town after small town? I don’t know that my aversion to interstate highway travel is all poetic and Robert Frost-y in the sense of choosing a less-traveled road, if that’s even what the poem is about. But, I do like those roads.

Recently, My Amazing-Missus and I towed our little shiny Airstream through the “hill country” of Texas. Our first stop was in Waco, where we paid homage to the high priest and prietess of house re-doing. It’s a bit astonishing to see people come by the hundreds from hundreds of miles away to see the wonder that is Chip & Joanna. They do seem to bring a sort of beauty to the world; in more ways than just fixing-upping.

I remember hearing a speaker at a banking convention proclaim that when a small town loses its local bank, it is on its way to ghost town status. I remain skeptical of that opinion, but it did start me to thinking: what is vital to the beating heart of a  town or village?

We drove through one wide-spot in the road whose better days were behind it. On a large piece of land in the heart of the little town, where its school once stood, was a marker, reminding the few people left in the town that there was once a school with teachers and kids and sounds and smells and energy.

Maybe they were the Eagles, or Bulldogs, or Terrapins. Their “colors” might have been green & white, or blue & gold, but probably they were red & white.

So, what is it that makes the difference between a community having a pulse and being a ghost town?

Bank?
School?
Church?
Post Office?
Bar?
Barber shop / Beauty Parlor?

Or, one of those places when you can get gas, bread, milk, beer,  and lunch from a greasy, steamy glass case filled with fried stuff like okra, gizzards, potato wedges, and such; plus a 32 oz. plastic vessel of some soft drink to wash it all down?

As our trip through rural America continued, I may have discovered what it is that most every small town seemed to have. It was easy to spot them. Many are brightly painted and gaudily adorned. The local flower shop. Think about it. If the town still has one of these, not only do you have a vibrant business still left on main street, but you’re also likely to have its effervescent and flamboyant proprieter. You also have a place to buy a balloon for a birthday, a gift for graduation, Father’s Day, and a baby shower. After all what is a community if not a place to celebrate and make memories together. 

I haven’t forgotten the obvious: the flowers. How could we be a community without flowers? There will be Mother’s Days and Valentines Days. Oh, and the weddings.

And while there may not be ballgames, and school dances on the town calendar anymore, there will undoubtedly be the next funeral. You need community to bring flowers and a covered dish to the house to remind you that in the midst of deepest grief, there is a tomorrow and your community is with you.

While I’m on the subject of the essential role of beauty in the midst of despair, let me beg you to contact your congresspersons and implore them to not buy in to the ill-informed, misguided, ill-conceived, near-sighted and selfish scheme to strip funding for the National Endowment for The Arts and the National Endowment for The Humanities. It would be like burning down the flower shop of a small town, or telling Chip and Joanna they can’t fix-up anymore ugly houses, turning them into someone’s dream home.

If you don’t believe the arts are critical to our national well-being, go see this exhibit at the Oklahoma City Museum of Art. You only have until July 2, 2017. If you want to go with someone, call me. I’ll join you and even buy your ticket.

Here’s another idea. Click here and Watch this. https://vimeo.com/194276412 

Patchwork

We have a “comforter” at our house. Although I have watched copious amounts of HGTV and have logged several hours in a Pottery Barn or two, I don’t claim to know my comforters from my quilts from my duvets.

To further clarify, I’m not necessarily speaking of this type of “comforter”:

“So I returned, and considered all the oppressions that are done under the sun: and behold the tears of such as were oppressed, and they had no comforter; and on the side of their oppressors there was power; but they had no comforter.” —Ecclesiastes 4:1

That’s for another day perhaps.

So here is a photo of our comforter. It is from IKEA®, so I guess it’s an immigrant comforter—Scandinavian, I believe. (I’ve also spent a few hours in IKEA®. It’s by design that you go there and stay awhile. If you’ve ever been in one you know you can’t get out until you reach the end—sort of like when we elect politicians to a four-year term. I can’t be certain of the comforter’s origin. It may actually be from Bangladesh. I cut the label off even though it warned that I was doing so at the risk of severe penalty. I can be anarchistic like that.

The comforter delivers on its promise. It is comforting; and warm, and utilitarian. Not once though, has anyone ever come to our house and said, “What a beautiful comforter, who made it?!”

However there is another covering in our home. Every time someone sees it they comment on its beauty.

While being mass-produced by the thousands and shipped from Sweden or Bangladesh is a story, this other covering has a real story. It was lovingly made by hand, by my daughter-in-law’s great aunt, Elda, who had curated the fabrics over time, selected the pieces with some kind of theme in mind, and then stiched them together just so. It was given to us as a gift.

It is comforting, warm and artful.

It is called a “crazy quilt” by people who know their coverings.

Now to the metaphor:

What if we could imagine our earthly collection of humanity as a jointed fabric of sorts—woven together by the things we share: hopes, dreams, water, air, sun, moon, food, beauty, strife, illness, hunger, love, hate, compassion, spite, courage, fear, selfishness and selflessness?

I really do understand the worldview that somehow it is more comforting to hunker down in perceived safety under a protective, homogeneous blanket, secured tight around it’s edges. I get that. But is it realistic? Is it beautiful? What about the stories that will never be written or told.

I am not bragging, but rather celebrating when I say that I have close friends who are young and who are old, who have a wide mix of religious views and thankfully are passionate about their beliefs. Friends who are of varied races, who are of varied sexual orientations. I have dear, dear friends who hold Donald Trump in the highest regard. And I have friends whose skin crawls at the mention of his name. I love them all. I’m grateful that my life is somehow stitched to theirs. I’m glad my quilt is crazy.

Is a “crazy quilt” crazy? Is it risky? Yes, that’s life. Do I believe in providence? Yes, in a weird sort of way that likely defies all logic but my own. Would I prefer the snowy white comfort of a utilitarian blanket over the crazy, wildly colored haphazardly stitched-together stories of flawed humans? Absolutely not.

Franklin Graham recently said, “Every Muslim that comes into this country has the potential to be radicalized—and they do their killing to honor their religion and Muhammad.”

It is also true that every Muslim that comes into this country has the potential to be a neighbor who contributes beautifully to the artful craziness of our American quilt, just as all who have formed this immigrant nation have.

I prefer the hope-fullness of this passage over the hopelessness of Graham’s words:

“Gather the people together—men, women, children, and the foreigners living among you—so they can listen well, so they may learn to live in holy awe before GOD, your God, and diligently keep everything in this Revelation.
And do this so that their children, who don’t yet know all this, will also listen and learn to live in holy awe before GOD, your God, for as long as you live on the land that you are crossing over [emigrate] the Jordan to possess.” —Deuteronomy 31:12-13

All That Democracy (Jazz)

Miles Davis

There’s an organization called Jazz At Lincoln Center. It’s a great resource for Jazz music. This is from their mission statement.

We believe Jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.

As I heard someone say the other day, “Let’s break down that prose.”

from Pops journal

So there you have it. Maybe you already love Jazz, maybe you do and don’t know it. Or, maybe you haven’t really tried it yet. If you do, give it time. It’s an acquired taste. The Jazz At Lincoln Center is a great resource. Visit http://www.jazz.org

Here’s what I really wanted to tell you about—a project called “Recollect”. I love storytelling, remembering and recollecting. So this project fascinated me from the start.

Recollect is a project of short videos where a famous jazz musician goes into a record store to dig through the crates of jazz albums. While they do this they tell stories. (I'm adding to my bucket list to be present for the filming of one of these episodes). These are jazz stories and so they are also democratic stories. They are important because they can give us a context to understand more about ourselves.

Of course jazz is not the only musical genre that’s important in this way. Country music is also rooted in personal story. And, without a doubt, there is no more heart-felt music than the poetry of the early hymn writers. I can prove it. Read the lyrics to “It Is Well With My Soul”, or “Great Is Thy Faithfulness”, of “When I Survey The Wondrous Cross”. Here’s a sample:

Were the whole realm of nature mine,
That were a present far too small;
Love so amazing, so divine,
Demands my soul, my life, my all.

Talk about remembering and recollecting; I’ve heard those words all my life and they move me like I’ve just heard them for the very first time.

Well, back to the Recollect project. What first caught my attention was a video episode of the project featuring a jazz pianist named Helen Sung. Helen was introduced to me by my dear friend Mako Fujimura. I heard her play with her band at the Jazz Standard in New York City. She is one of those who can tell a story with a piano.

That prompted me to watch other episodes of the project. My favorite to date is one that features Jimmy Cobb.

Jimmy Cobb was one of the drummers I tried to emulate back in the day. He played with Miles Davis on a album called Kind Of Blue, the album that first drew me to jazz. The band on that album is a who’s who of jazz: in addition to Miles Davis and Jimmy Cobb, there’s John Coltrane, Paul Chambers, Bill Evans and Wynton Kelly.

If you haven’t yet, give Jazz a try. This album is a great place to start. At least watch the Recollect videos on Jimmy Cobb and Helen Sung. Listen to their stories. Really, really listen.

In review: Jazz & Democracy. Improvisational=sometimes we have to make it up as we go. Freedom and expression. Swinging=there is a groove. Sometimes we march to the same beat, sometimes we don’t. Rooted in the Blues (stories)=It is important. It’s the thread of our common fabric.

Pianist Bill Evans

It's Not All Black & White

There is something that stirs within me this time of year. I think it has to do with feeling like summer is slipping away and the start of school is just around the corner. I haven’t started back to school in years, but still this haunting feeling returns.

Soon now, good times at the pool will be replaced with learning locker combos, class schedules and how to conjugate a verb. No more sleeping in or staying up late. Not that it’s all bad. There are some things to look forward to, like Friday nights, when the air begins to turn crisp and the atmosphere crackles with the excitement of a high school football game. Yes, I’m a band nerd, but at least I was in the drumline—the rowdy rebels and evil necessity of every band director.

I better be careful or I will reminisce myself into a longing to go back to school.

Recently, My Amazing-Missus took the grand-girls shopping for their back to school supplies. I got to playing around with the boxes of crayons and created one that was all black and white crayons. I showed it to our oldest grand-girl and she looked at me like I had jerked a rainbow from the sky and strangled a unicorn with it. Then she said, “That can’t be real. That would be horrible!”

She’s right.

Attention boys and girls. Today’s lesson is about the importance of having colors in your crayon box.

Here’s the thing about politics and religion and dogma and institutions and fundamentalists: They will steal all the colors out of your box if you’re not careful. Everything will be reduced to this or that, right or wrong (their version of it of course), black or white. When it happens, our worldview narrows, we become narrow-minded and single-minded and mean and bitter. We think everyone is out to get us. We believe every conspiracy theory that comes along.

Worse yet, we miss out on the wonder, the beauty, the possibilities. I asked Karlee, our oldest if she knew who Roy G. Biv is. “Of course.” Of course she knew. We could all learn something if we would pay more attention to Roy G. Biv.

I am sick and tired of politics. I’m tired and sick of the religious right telling me who I should hate and why. I’m tired of people saying, make up your mind. It’s either black or white. 

No it’s not. Meet Roy G. Biv, or as Karlee knows him, the colors of the rainbow: Red Orange Yellow Green Blue Indigo and Violet.

Make a note of that, it will be on the test. And put some color back in your crayon box.